audiobooks

Forward: Stories of Tomorrow

This year I’m aiming to read at least 35 books! That might not sound like much, but with a grand total of 25 last year, it’s hopefully going to be an achievable target. Recently i’ve struggled quite a bit to find the time to sit and read, with distractions, social meetings, and other responsibilities all vying for attention elsewhere, so recently i’v been dabbling more with audiobooks. Along with weekly podcasts I usually have one on the go and, this last month, I downloaded and listened to Forward: Stories of Tomorrow.

This appeared on Audible as a personalised recommendation and consists of six sci-fi short stories curated by Blake Crouch. All the authors were entirely new to me, and the six stories have a Black Mirror style future warning plausibility about them, which is how I interpreted them at least. I read about the stories briefly before listening, but for the most part with all of them went in blind (deaf?). Absolutely everyone has ranked them and picked their favourites in blogs, reviews, and fansites, so I thought I would do similar here, with spoiler-free thoughts. Forward is by no means the most complete or accomplished collection of this genre, but I think it’s worth a read or listen; all of the stories have some kind of charm.

Ark, by Veronica Roth, read by Evan Rachel Wood

I listened to the stories in order, and this was the first. The story is set two weeks before an asteroid destorys Earth, and having already evacuated the planet, a small team remain to catalogue and store plant samples. This was enjoyable enough with some interesting ideas, but ultimately it didn’t feel like the concepts or narrative had much drive. Things were very slow- despite the seemingly obvious urgency of the situation- and the story doesn’t really get a chance to perform. This was a very soft, melancholic story, but it did feel a little hollow.

Summer Frost, by Blake Crouch, read by Rosa Salazar

This was an excellent short story, expertly paced, and probably my second favourite of the collection. The story deals with work-life balance, artificial intelligence and free-will in pretty big ways, and does a lot thematically in such a short time. I really don’t want to talk too much about the plot with this one, but I found it so madly captivating, it really hooked me. I feel Summer Frost could be expanded to become an entire novel, but it’s definitely an interesting read that will linger in my thoughts for sometime. Really enjoyable.

Emergency Skin, by N. K. Jemisin, read by Jason Isaacs

Emergency Skin was the only story I was aware of going into the collection, after the title previously having won the Hugo Award for Best Novelette in 2020 and winding up in my “to read” pile. The story is about an explorer returning to a previously-doomed earth for materials and the discoveries they make along the way. As someone currently mega-disillusioned with work culture, politics, climate change, society, and hell, where the world is heading in general, this resonated with me a lot! The themes might be a bit too on the nose for some, but I found this short story excellently paced as the reveals emerged, and the character’s discoveries progressed. It ended at exactly the right time. This was easily my favourite of the six stories and my introduction to N. K. Jemisin as an author. I’m looking forward to reading lots more.

You Have Arrived At Your Destination, by Amor Towles, read by David Harbour

David Harbour (Hopper from Stranger Things) was great narrating, but overall ‘At Your Destination did not click for me. This was conceptually clever, with fertility, genetic engineering, and future outcomes all as major thinking points. Structurally however, the story didn’t really land, with the opening feeling pretty loose, and a third act that -to me at least- was quite disappointing. Im not really sure I arrived at the destination at all. Probably my least favourite of the six.

The Last Coversation, by Paul Tremblay, read by Steven Strait

This was just okay. The narrative really hinges entirely on the ending that, while having some excellent symmetry with that of the beginning, was very predictable from the outset. This is easily the most abstract of the collection conceptually and narratively, and I think I would have enjoyed it a lot more if I hadn’t sussed the ending as quickly as I did. I refuse to divulge any more. Tonally and through its language I enjoyed this quite a bit, and it feels raw, sharp, and honest throughout, but as an idea I feel this has definitely been done before, and better.

Randomize, by Andy Weir, read by Janina Gavankar

Andy Weir was, in my opinion, the most “household name” of the authors in the collection. There’s lots of dismissing reviews of this on Goodreads but I thought this was fun! Sci-fi wise this is definitely the lightest (and shortest) of the short stories included in the Forward collection, but the idea of quantum computing meeting casino heists is interesting and more importantly, narratively enjoyable. With changing protagonists up until the very end I wasn’t really sure how the story was going to land; in some ways it’s a story that truly reflects the ‘randomness’ and binary win stakes of gambling as a concept. Pretty neat!

October Status Update

2020 has been a scary year, and I wouldnt be lying if I said I’ve been a bit overwhelmed by it all at least ten times this year already. With a second wave of Covid_19 hitting Europe and the UK now (or just a continued first wave?) for me personally this month there’s not much to report. With venues and shops closing earlier due to restrictions, darker and stormier nights, and NO SOCIALISING WHATSOEVER it’s been a very quiet month, and one with very little respite from the ongoing Monday to Friday 9-5 work drudgery. Again, scary stuff, so with everything hellishly terrible I decided to lean into it all a bit more and made a point of really doing nothing this month except consume horror books/tv and film.

For the longest time Horror media of any sort was just a big no-no for me. Cowardice, confusion, a lack of…risk taking? I’ve read Stephen King as a teenager and forever since, but I was always aware of my limits and sensitivity. As I’ve gotten older it’s something that I’ve found myself enjoying more and more, particularly in film and literature. My favourite thing about the genre is that invariably it has some of the most human themes and characters compared to absolutely everything else and that it rewards looking inwards at self, identity, and just humanity in general. Not always of course, but a great number of stories look at what makes us human, what our relationship is with each other and then makes a horror or fear out of something that is the opposite.

Two years ago Netflix produced and released The Haunting of Hill House, a one-off miniseries inspired by the Shirley Jackson book af the same name. I loved it. It was tense, dark, it was about love, it was about hope and light, and it really opened up the genre for me, both series and book. The show was one of the most complete, satisfying, and absolutely whole things I’ve ever watched. This year it’s follow-up released -again a miniseries- this time inspired by The Turn of The Screw by Henry James. I wasn’t familiar with the source material but I was very excited to watch the show as a spiritual follow-up with the same cast and creative team. The first night we watched three episodes, another three the second, and the final three on the third, closing the entire show out within one weekend. Thematically it’s very different to ‘Hill House with a horror and darkness that sometimes feels altogether more frightening. It’s a lot lighter on tension and jump scare set pieces, but it was incredible at studying humanity, life, death, and the transition thereof. I really want to watch it again and think and talk about it a lot more- a revisit is guaranteed once I’ve finished reading the book.

I made a point of watching only Horror films this month and things that kind of came under that genre, so yes, Hocus Pocus, The Addams Family and Practical Magic were all allowed of sorts. I finally watched Halloween (1978, John Carpenter) this month, having ignored/missed/avoided the franchise my whole life. It was incredible! A real old-school practical slasher flick with lots of scares and jumpsightings of famous stabber Michael Myers throughout, and so really well done. A whole 42 years later(!) I think the film has aged phenomenally and I really regret missing out on it for so long. My other big film fave was Us by Jordan Peele. Get Out, his directoral debut, was critically lauded and while I could recognise it’s brilliance upon watching it, it wasn’t really something that I admired. Against the majority, I much preferred Us. An absolutely stellar, bold, and complex piece of both narrative and filmmaking. It’s not without it’s flaws, but it has buckets of allegory to unpack throughout and really taps into some very nasty unnerving human fears.

As with Halloween this month I went back to another genre-definer classic and I listened to Dracula by Bram Stoker. I knew going in that this was perhaps going to be a bit of a difficult one, but I really didnt enjoy this much at all. It puts all the pieces on the board with a creepy castle, stakes, garlic, bats and fangs, inspiring everything forever afterwards but I found it really dry. The opening chapters are enjoyable and engrossing -Tense! Creepy! Dramatic!- but the second half of the story meanders and dithers so much. The protaganists think, and observe, and ponder which is great, but it’s all with very little urgency. There’s lots of exposition but the story just felt unecessarily long. Not for me. Conversely, I really enjoyed -and I really can’t believe I’m comparing the two- listening to Coraline by Neil Gaiman. I find with Gaiman he’s generally really good at creating unease from the simplest of childhood fears and anxiety, and Coraline does this so well. A dark twisted fairytale about things that are different, changing circumstances (which are just the scariest at any age), and uncertainty through younger eyes. I’ve seen the film before but this was my first time with the book and I liked it a lot.

Going forward there’s still lots to do. At the moment it seems like some of the scariest stuff is on the news and there for us all to see whether we like it or not, but I’m in the process of reading The Turn of the Screw and i’ve started reading the numerous short stories by Shirley Jackson too. In an ideal situation it would be proper lockdown again with all the time in the world to read and watch so much more and already I feel like I really missed plenty of other great stories I could have done. As the horror that is 2020 continues, I’m sure there’s going to be plenty of dark winter nights to get stuck into some of them.

September Status Update

September was a month of sciatic nerves, Stephen King, a staycation, and SO MUCH Fargo.

A lot can change in a year, 2020 is a BIG indication of that. This time last year I raised £350 for MFR Cash for Kids by running 5K a day for the whole of September, and it was one of the hardest, silliest, but ultimately one of the most rewarding things I’ve ever done. This year I was planning doing the same, but after hurting my ankle (and subsequently, leg) during Lockdown I haven’t been running for the majority of 2020. I really miss that! I miss not being in pain the whole time! A few doctor and physio appointments this month revealed my leg pain is actually “sciatic irritation due to postural changes”. What is that? Basically months of staying at home slouching playing games and hunching over webcams have actually injured me. Being lazy actually hurt me. With diagnosis hopefully complete I’ve since been stretching, more active, and most importantly, more focussed on my posture for perhaps…the first time in my life. It’s made a difference, and the last few weeks have seen a big change in pain reduction and how sore I am- things are actually getting better. I might be able to get running again just in time for a season full of cold northern winds and rainstorms. Yay?

After reading and enjoying Stephen King’s On Writing last month, this month I decided to revisit the author properly for the first time in some while, and eagerly jumped-in to Pet Sematary. The title had always sidestepped me for whatever reason, so returning to some previously-missed dark Stephen King horror was always going to be rewarding and comforting in the weirdest possible sense. I was ready. There’s an audiobook version narrated by Dexter’s Michael C. Hall and this is something I listened to over a week and a bit, completely engrossed, disturbed, chilled, and just absolutely revelling in it if I’m honest. I’ve been a bit up and down with audiobooks previously, but the narration here is absolutely incredible, and Hall completely sells the dark, twisted, harrowing tale, while frequently ramping up tension and absolute dread. I’m an audiobok convert! I need to do a post of my favourite books at some point, and while this would probably not quite get ranked, Pet Sematary is definitely in my top 3 from Stephen King. Entertainment Weekly have a great retroactive piece on the book (and films). It’s quite spoilery but it’s worth a read if you’ve finished it!

Something that had equally eluded me previously was the film Fargo. Released in 1996, I watched the film a whole 22 years later in 2018 and loved it when I did finally get round to it. This month I’ve done something similar with the spin-off tv series of the same name, but thankfully only 6 years late this time. It’s absolutey brilliant and something that really hooked me this month. The tv series is mostly separate from the film with each season being an anthology piece with their own stories and characters. The first season feels a lot like a spiritual sequel that builds on the film’s tropes but it gives characters and scenarios more time to mature. It’s easily was one of the best things I’ve ever watched on tv…or it was, until I then watched the second season. Season 2 is a sad, tragic, and beautiful 10-parter about people misunderstanding the hell out of each other, being in a watershed moment in history, and having to brace for future change while dealing with much bigger concepts. I feel like I’m under-selling; it’s incredibly accomplished, and always just so much more than standard cop v murder case fare. The third season is equally as bold and brave, and existentially questions the meaning of it’s own stories and characters and cause and effect logic. All three seasons are beautifully profound. Staggeringly so. I honestly wish I could watch them all for the first time again but encourage anyone reading to check them out.

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This month I’ve been back at work, in daily routine, doing the house chores, and everything feels mostly back to normal, at least on a surface level. After having to cancel both holidays and guesting at weddings earlier this year -and with not much event-wise on the horizon- Ailish and I decided to have a weekend break in Inverness and nearby Nairn. We’re just home. We visited Loch Ness, went shopping, ate great food, and honestly this was just a weekend that I was needing for too long- It’s great to get a change in scenery, switch off, and honestly just relax for a few days. I will do an actual longer post on our Loch Ness trip later- there’s some initial photos up on my Instagram.

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Next month things are becoming quieter, and slowing down again as the weather gets colder. It’s hard to believe that it will be October already after it feels like the year has even to get started, a year that really just didnt seem to happen at all. Coming home from work, locking the door, and getting the blankets, that’s what autumn and winter is all about, at least thats what I’m hoping. It’s going to be a great time to catch up with lots of games and books!