creative writing

Planning and Hosting a Murder Mystery

For her birthday last month I asked my partner how she wanted to celebrate, and without much thought, she enthusiastically replied “Murder Mystery”. Right. I asked her for a guestlist, and then told her to leave the rest to me. The weeks that followed was a frenzy of writing, planning, and sleuthing all the secrets.

I’ve never fully written a script, or DM’ed an RPG, so I sought guidance online straight away. Numerous guides -both free and paid- on how to create or host murder mysteries were found, but the common denominator for the majority of them were preset characters. From the start, with her guestlist, this seemed like a big no-go: I wanted it to be as roleplay as possible with guests devising their own characters instead of being given one they had to play. I created a narrative for the event, Madame of the Manor’s Birthday Soiree, inviting the guests as possible staff or rich, classy, socialite friends. This was a little Downton Abbey, a little Midsomer Murders, but ultimately very Agatha Christie, all reliable familiar tropes. I wrote a bit of general world-building for the guests, then sent character promps out; in character myself as Madame’s trusted aide who was organising the party.

Mechanically, I still wasn’t sure how this was going to work, BUT I knew the kind of things I would require from each guest, for each character. They has to devise a name for themselves, their likes and dislikes, their relation to the host, and then a secret about their character. These seemed like easy enough whims, and from there they were free to dress however they wanted on the night, but again, under the framework of a birthday party set in a village manor.

The characters I got back over the month were something else. There was a private physician, an author cousin, a prvate secretary, a mistress, a local pub landlord, and an art dealer. With the smallest of prompts I was amazed how wild things got, and how imaginative guests were with their secrets. One was actually a witch, there was a master thief, a con-man, a drug dealer, a failed inventor, a half sister to the host, the list went on. Everyone had created a really fun, interesting, sneaky character, and any of them could have been a murderer on the night.

With boxed kits, the murderer is always pre-determined and heavily written into the story, and a victim can be a guest on the night, or a pretend stuffed guy that has been dead from the start of the game. Guests thematically dropping at the party sounded brilliant, and I wanted one of them to be the murderer pulling the strings and poisoning the drinks. Mechanically, I didn’t want to write entire scripts and arcs for the guests to perform, but neither did I want guests to have free reign and be uncomfortable with full improv. In the end I came up with a system of handing out prompts on small cards over two acts, VERY similar to the social challenges of Dont Get Got. Each player had specifically crafted decks based off both the info they had given me and their confidence as an individual, with cards either being an ACTION they had to perform in character, or a SECRET which related to another guest. Both progressed a narrative forward, and some “found evidence” was provided as well to further immerse.

From the secrets and relationships, a motive came together almost accidentally. The private physician’s secret was that he didn’t actually have a medical license, while the mistress had a dodgy past where she had poisoned her uncle. A narrative emerged really quickly, and the doctor character was given authority to kill any guest they were worried about revealing their secret. Some people actually solved the mystery! I set up smaller challenges too about deducing who was the thief, and who was the half sister- I think every guest managed to deduce at least one of the secret identities.

The weeks planning it were pretty bloody stressful, but I think it ultimately landed pretty well! There will be other, easier, quicker ways to plan a murder mystery, but I greatly enjoyed getting to write something, and everyone really did give their characters such fun personalities. It is something I want to run again, perhaps more complicated or extravagant, and with entirely new characters, but it was definitely a great start. Hopefully the above will be useful to anyone planning something similar!

January Status Update

After the excitement, fun, and just mega relaxing of Xmas and New Year, January has been for the most part a long uneventful month. Lockdown is infinite, work is forever, weekends are my time. After setting some resolutions and goals for the year ahead, January has been a month of forming new habits and behaviours.

With long nights and more time inside, boardgames were great distractions. This month Ailish and I started playing Ticket to Ride: Europe, after getting it for Xmas a few weeks previously. The Ticket To Ride series is something I’ve been aware of for a few years now, but this was my first time playing any of them in a series now spanning the last 16 years. Players take turns bulding trainlines and transport networks across a map, scoring for objectives and route length with coloured carriage meeples and card drafting. I’m mostly indifferent to trains but I missed travelling so much last year, so it was fun plotting journeys across a map and visiting different capitals. We both liked the game a lot (and scored highly!) so this one is definitely a keeper, and game nights in general are something we’re wanting to do more regularly. It will definitely be getting played more!

Last year I watched 141 films in, around, and after the initial lockdown and had a great time doing it. Seven starred Michael Caine, six with Daniel Craig, and five directed by Christopher Nolan. Of my twenty five most watched actors that year only one -Morgan Freeman- wasn’t white(!), and of the sixteen directors, only one again stands out- Taika Waititi. Going in to this year I wanted to watch things more culturally and gender diverse instead of just distinctly and predominantly white male. This is a longer goal, but this month I watched the excellent anthology series Small Axe by director Steve McQueen. The five stories individually show different aspects of the culture, segregation, and racism of London’s West Indian community between 1960-1980 and combine to paint a bigger unique picture. All the films have a distinctive voice and there is a very real sense of history and documentary within each film. It feels and looks real, because, well, these are stories that really happened, and Steven McQueen is great at capturing that. It’s very well done, and I’m on board to follow whatever he does next.

One of my other big resolutions for the year was to do more creative writing! This month I started on a short story, wrote a synopsis for something bigger that’s been rattling around for a while, and entered a short 50 word contest. A great start, but as the month went on things changed pretty abruptly and it’s not something I’m going to be able to prioritise for now…because I’m studying again! After some really nasty existentialism and doubt last year I felt I wanted to actually do something, and I’m now enrolled doing postgraduate History and Archaeology of the Highlands and Islands through part-time distance-learning. I woke up and just jumped in! This is something I’ve been wanting to do for a few years now and while I continue to doubt if I’m clever, young, or have enough time to do it succesfully, I’m looking forward to the challenge. The opening module lasts from now until May, giving me a break before continuing again with the next one after the summer. This is something I’m hoping to focus on a lot this year and while it’s worrying I’ll have less free time, it’s exciting knowing that something bigger is happening instead.

With a Covid_19 vaccination still months away for me even with good intentions 2021 is probably going to be a difficult year again. I want to be out, seeing people, having dinners, and travelling, and none of that will probably be possible again for a while. It’s reassuring however, if the world does go fully tits up again, it means I have some goals and habits, plans and resolutions to keep me ticking over. Less uncertainty please.

Always Love (write.as/richardam/)

On it’s website, write.as describes itself as “A place for focussed writing…with no distractions to interupt your creative flow”. It’s a personal space for writing and publishing away from all the noise of social-media that immediately reminded me a lot of early days Tumblr, with it’s minimalism and customisation. Simpler times. Through recommendation, as creative writing practice, and as a result of recent ongoing meh-ntal health problems, I decided to sign up and give it a shot.

It feels odd doing so and even starting it as another blog effort because while I plan to natter away and be very much here, there’s an opportunity to do something different there as well. My thinking is it’s going to be (mostly) daily updates and a log full of positive ideas, happy feelings, and good memories. Just optimism. Always love, like the title suggests. You know, the stuff the internet doesn’t *really* favour. Obviously with 2020 in full effect it’s been doom after doom, so I’ve enjoyed trying to pick out some pleasant experiences and thoughts each day, and reminisce accordingly. What is happiness? Well, it’s hopefully a collection of some of these concepts. As a project I’m not sure how long i’m planning to run it, but if anyone wants to check it out or follow for some vibes (ugh?) give it a look. It’s all a bit experimental and looser than what i’m hoping to do here, but I like that sketchbook feeling of it, and crucially, I’m finding it helping with both the mental health and creative sides of things at the moment.